Wednesday, January 7, 2009

Welcome

This is the Reading Response Forum. This Blog is for EH 225 Section 107

You will read a selection in class every Monday and Wednesday

On Wednesday, before midnight that day, write a 300 word response. Please respond by using the comment link at the bottom of each post.

On Friday, we share responses.


Use the Following Structure for Responses
:
The ABC Reading Structure

[Put Your Name at the top of the Response.]

A Title – Entitle Your Response.

Basic Passage - Choose a passage: sentence or lines (no more than three) which include a

central meaning. This passage should connect with the title.

Correlate – Write about how the passage applies to you, to someone you know, to a group or to society. Here are some questions that might help you. See what connections you can make and explore:

  • Are there any passages in the reading that you, because of your life experience, are especially able to understand and appreciate? Write about one of those passages and show how it relates to your experience.

  • Choose a passage from the reading, and tell what it helps explain about an experience you have known. After you have said as much as you can, consider this: does the passage exhaust the meaning of the experience, account for the experience you have in mind?

  • Would a person who accepted this person’s ideas choose the same paths in life that you have chosen or that you have seen others choose? How would the ideas for this reading alter your life or the life of someone you know well?

Are the writer’s ideas useful to a person in a certain lifestyle or profession? What difference would these ideas make for someone living that lifestyle or practicing that profession?

Tuesday, April 24, 2007

Friday, April 13, 2007

Hank Lazer Poems -- Respond Under This Post

Selected Poems from Days (Blog Will Not Allow for Original Typography)

71
3/3/95

good god bob
you're the one
of course who
made loveable &
why the fuck
not in such
a tight span
these twists of
thinking specific
to an instant

commentary : creeley the bob, days in part a case study of thought's torsion, the short line, collisions & collusions possible, the shifts in direction, heavy staccato "good god bob" splat, to sweet assonance, one, loveable, fuck, such, the delight in the twists, a tight span, in instants, the lyric as collision chamber

74
3/11/95

i sing the body
eclectic uh defective
icing the bawdy
directive rodin to young
rilke "toujours travailler"
all words & no fray
makes yack a dull
"stable & precarious"
rose on licorice er
icarus' wings

commentary : talk in tongues, trane's sax honks, i sing as icing on the cake, a bellyfull, stammer, stutter, the play's the thing, of course work hard the too earnest though ugh, dad's leukemia woven in everywhere, my young son's mishearing heard it better as rose on licorice wings, and why not

77
4/1/95
her virtues i
know thus far
verbal which
what think you
when wind across
key principle
forms of distance
love the
reckless irritant settled
athwart the hips

commentary : days, in part, playing with an erotics of writer/reader relations; last line, the single word "athwart" definitely a whitman-clinker; loving throughout as irritant AND joy; the wind of saying, a poem being taken up and said


81
4/11/95

you put them
there & fix
their place in blocks
& in columns
as you will
& then they have
quite apart from
you relations
all their own
with which you are amused

commentary : a compositional practice, you do put them there by hand i know you do, the poem's existence in time, as it becomes necessarily strange to the writer too, possibly amusing, of necessity so as the poem disconnects from its immediacy of compositional inception, is initially placed & put, but then . . .

83
4/15/95

yes & then
a little less
two blue
& white striped
chairs & the means
of enumerating
sudden content
ment heart in
sists its history is now
& thus not history proper

commentary : rarely, but here, instance of actual immediate surroundings, two specific chairs, as the first line: often poems in the affirmative (though, "& then"), words broken being both: content, and content-ment; the heart moves in, thus insists, a different site of action than some will allow into "history proper"

84
4/15/95

slow to slogan
voracious to
veracity amen
to mendacity
flesh to pleasure
legs to legendary
costly to apostle
mesh to measure
& i wake up
next to you

commentary : by musical extension, made extant, a tent, rolls on & off the tongue, a fleshy pleasure, to be beside you, juxtaposition, awakening to & into that fact, flesh to pleasure, such words so

88
4/21/95

speaking the first
law of economy
you yawn song sweeps
upward & across water's
surface not contra which
would only be two dictions
but each point a hub
radiating infinite spokes
persons tense in shifting
pulse processional

commentary : redundant in e-space to point out, hell yes, more than two dictions, thematized older poetries fond of binary structurings, poems now portals multiply open, from any given point an infinity of directions, made so perhaps with some of the energy, energizing, galvanics of early Williams and later Olson's "projective verse" these too "in shifting/ pulse processional," parading by, the radiating, the pulsing, the transfer of energy, instant by instant, for you to say

126
6/22/95

monk's joy &
studied exuberant
wrong notes infinite
rhythmic insistence
exactly slapped silences
trane's quest question
chaotic divine emily's
compressed
from you (love)
crucially direct address

commentary : recaps sources & muses, quick riffs, monk the first, the joy of right-wrong, the infinite possibilities of rhythm attended to & heard precisely, not the yay-or-nay of binary dumb metrics stressed or un- (how damned inadequate!), to trane, to emily d, to "you" who must be there, otherwise how to address directly


Below is the link to Lazer's Website:
http://wings.buffalo.edu/epc/authors/lazer/

Monday, April 9, 2007

Judy Grahn - Respond Under This Post


A Woman Is Talking to Death


One

Testimony in trials that never got heard



my lovers teeth are white geese flying above me

my lovers muscles are rope ladders under my hands



we were driving home slow

my love and I, across the long Bay Bridge,

one February midnight, when midway

over in the far left lane, I saw a strange scene:



one small young man standing by the rail,

and in the lane itself, parked straight across

as if it could stop anything, a large young

man upon a stalled motorcycle, perfectly

relaxed as if he’d stopped at a hamburger stand;

he was wearing a peacoat and levis, and

he had his head back, roaring, you

could almost hear the laugh, it

was so real.



“Look at that fool,” I said, “in the

middle of the bridge like that,” a very

womanly remark.



Then we heard the meaning of the noise

of metal on a concrete bridge at 50

miles an hour, and the far left lane

filled up with a big car that had a

motorcycle jammed on its front bumper, like

the whole thing would explode, the friction

sparks shot up bright orange for many feet

into the air, and the racket still sets

my teeth on edge.



When the car stopped we stopped parallel

and Wendy headed for the callbox while I

ducked across those 6 lanes like a mouse

in the bowling alley. “Are you hurt?” I said,

the middle-aged driver had the greyest black face,

“I couldn’t stop, I couldn’t stop, what happened?”



Then I remembered. “Somebody,” I said, “was on

the motorcycle.” I ran back,

one block? two blocks? the space for walking

on the bridge is maybe 18 inches, whoever

engineered this arrogance, in the dark

stiff wind it seemed I would



be pushed over the rail, would fall down

screaming onto the hard surface of

the bay, but I did not, I found the tall young man

who thought he owned the bridge, now lying on

his stomach, head cradled in his broken arm.



He had glasses on, but somewhere he had lost

most of his levis, where were they?

and his shoes. Two short cuts on his buttocks,

that was the only mark except his thin white

seminal tubes were all strung out behind; no

child left in him; and he looked asleep.



I plucked wildly at his wrist, then put it

down; there were two long haired women

holding back the traffic just behind me

with their bare hands, the machines came

down like mad bulls, I was scared, much

more than usual, I felt easily squished

like the earthworms crawling on a busy

sidewalk after the rain; I wanted to

leave. And met the driver, walking back.



“The guy is dead.” I gripped his hand,

the wind was going to blow us off the bridge.



“Oh my God,” he said, “haven’t I had enough

trouble in my life?” He raised his head,

and for a second was enraged and yelling,

at the top of the bridge—”I was just driving

home!” His head fell down. “My God, and

now I’ve killed somebody.”



I looked down at my own peacoat and levis,

then over at the dead man’s friend, who

was howling and blubbering, what they would

call hysteria in a woman. “It isn’t possible”

he wailed, but it was possible, it was

indeed, accomplished and unfeeling, snoring

in its peacoat, and without its levis on.


He died laughing:........that’s a fact.


I had a woman waiting for me,

in her car and in the middle of the bridge,

I’m frightened, I said.I’m afraid, he said,

stay with me, be

my witness—”No,” I said, “I’ll be your

witness—later,” and I took his name

and number, “but I can’t stay with you,

I’m too frightened of the bridge, besides

I have a woman waiting

and no license—

and no tail lights—”

So I left—

as I have left so many of my lovers.



we drove home

shaking. Wendy’s face greyer

than any white person’s I have ever seen.

maybe he beat his wife, maybe he once

drove taxi, and raped a lover

of mine—how to know these things?

we do each other in, that’s a fact.



who will be my witness?

death wastes our time with drunkenness

and depression

death, who keeps us from our

lovers.

he had a woman waiting for him,

I found out when I called the number,

days later



“Where is he,” she said, “he’s disappeared.”

“He’ll be all right,” I said, “we could

have hit the guy as easy as anybody, it

wasn’t anybody’s fault, they’ll know that,”

women so often say dumb things like that,

they teach us to be sweet and reassuring,

and say ignorant things, because we don’t invent

the crime, the punishment, the bridges



that same week I looked into the mirror

and nobody was there to testify;

how clear, an unemployed queer woman

makes no witness at all,

nobody at all was there for

those two questions:......what does

she do, and who is she married to?



I am the woman who stopped on the bridge

and this is the man who was there

our lovers teeth are white geese flying

above us, but we ourselves are

easily squished.


keep the woman small and weak

and off the street, and off the

bridges, that’s the way, brother

one day I will leave you there,

as I have left you there before,

working for death.



we found out later

what we left him to.

Six big policemen answered the call,

all white, and no child in them.

they put the driver up against his car

and beat the hell out of him.

What did you kill that poor kid for?

you mutherfucking nigger.

that’s a fact.



Death only uses violence

when there is any kind of resistance,

the rest of the time a slow

weardown will do.



They took him to 4 different hospitals

til they got a drunk test report to fit their

case, and held him five days in jail

without a phone call.

how many lovers have we left.



there are as many contradictions to the game,

as there are players.

a woman is talking to death,

though talk is cheap, and life takes a long time

to make

right. He got a cheesy lawyer

who had him cop a plea, 15 to 20

instead of life.Did I say life?



the arrogant young man who thought he

owned the bridge, and fell asleep on it

he died laughing: that’s a fact.

the driver sits out his time

off the street somewhere,

does he have the most vacant of

eyes, will he die laughing?


Two

They don’t have to lynch the women anymore


death sits on my doorstep

cleaning his revolver

death cripples my feet and sends me out

to wait for the bus alone,

then comes by driving a taxi.



the woman on our block with 6 young children

has the most vacant of eyes

death sits in her bedroom, loading

his revolver



they don’t have to lynch the women

very often anymore, although

they used to—the lord and his men

went through the villages at night, beating &

killing every woman caught

outdoors.

the European witch trials took away

the independent people; two different villages—

after the trials were through that year—

had left in them, each—

one living woman:

one



What were those other women up to? had they

run over someone? stopped on the wrong bridge?

did they have teeth like

any kind of geese, or children

in them?


Three

This woman is a lesbian be careful


In the military hospital where I worked

as a nurse’s aide, the walls of the halls

were lined with howling women

waiting to deliver

or to have some parts removed.

One of the big private rooms contained

the general’s wife, who needed

a wart taken off her nose.

we were instructed to give her special attention

not because of her wart or her nose

but because of her husband, the general.


As many women as men die, and that’s a fact.


At work there was one friendly patient, already

claimed, a young woman burnt apart with X-ray,

she had long white tubes instead of openings;

rectum, bladder, vagina—I combed her hair, it

was my job, but she took care of me as if

nobody’s touch could spoil her.


ho ho death, ho death

have you seen the twinkle in the dead woman’s eye?


When you are a nurse’s aide

someone suddenly notices you

and yells about the patient’s bed,

and tears the sheets apart so you

can do it over, and over

while the patient waits

doubled over in her pain

for you to make the bed again

and no one ever looks at you,

only at what you do not do



Here, general, hold this soldier’s bed pan

for a moment, hold it for a year—

then we’ll promote you to making his bed.

we believe you wouldn’t make such messes


if you had to clean up after them.


that’s a fantasy.this woman is a lesbian, be careful.


When I was arrested and being thrown out

of the military, the order went out: dont anybody

speak to this woman, and for those three

long months, almost nobody did; the dayroom, when

I entered it, fell silent til I had gone; they

were afraid, they knew the wind would blow

them over the rail, the cops would come,

the water would run into their lungs.

Everything I touched

was spoiled. They were my lovers, those

women, but nobody had taught us how to swim.

I drowned, I took 3 or 4 others down

when I signed the confession of what we

had done together.


No one will ever speak to me again.


I read this somewhere; I wasn’t there:

in WW II the US army had invented some floating

amphibian tanks, and took them over to

the coast of Europe to unload them,

the landing ships all drawn up in a fleet,

and everybody watching. Each tank had a

crew of 6 and there were 25 tanks.

The first went down the landing planks

and sank, the second, the third, the

fourth, the fifth, the sixth went down

and sank. They weren’t supposed

to sink, the engineers had

made a mistake. The crews looked around

wildly for the order to quit,

but none came, and in the sight of

thousands of men, each 6 crewmen

saluted his officers, battened down

his hatch in turn, and drove into the

sea, and drowned, until all 25 tanks

were gone. did they have vacant

eyes, die laughing, or what? what

did they talk about, those men,

as the water came in?


was the general their lover?


Four

A Mock Interrogation


Have you ever held hands with a woman?


Yes, many times—women about to deliver, women about to

have breasts removed, wombs removed, miscarriages, women

having epileptic fits, having asthma, cancer, women having

breast bone marrow sucked out of them by nervous or in-

different interns, women with heart condition, who were

vomiting, overdosed, depressed, drunk, lonely to the point

of extinction: women who had been run over, beaten up.

deserted, starved. women who had been bitten by rats; and

women who were happy, who were celebrating, who were

dancing with me in large circles or alone, women who were

climbing mountains or up and down walls, or trucks or roofs

and needed a boost up, or I did; women who simply wanted

to hold my hand because they liked me, some women who

wanted to hold my hand because they liked me better than

anyone.



These were many women?


Yes. many.


What about kissing? Have you kissed any women?


I have kissed many women.


When was the first woman you kissed with serious feeling?


The first woman ever I kissed was Josie, who I had loved at

such a distance for months. Josie was not only beautiful,

she was tough and handsome too. Josie had black hair and

white teeth and strong brown muscles. Then she dropped

out of school unexplained. When she came she came

back for one day only, to finish the term, and there was a

child in her. She was all shame, pain, and defiance. Her eyes

were dark as the water under a bridge and no one would

talk to her, they laughed and threw things at her. In the

afternoon I walked across the front of the class and looked

deep into Josie’s eyes and I picked up her chin with my

hand, because I loved her, because nothing like her trouble

would ever happen to me, because I hated it that she was

pregnant and unhappy, and an outcast. We were thirteen.


You didn’t kiss her?


How does it feel to be thirteen and having a baby?


You didn’t actually kiss her?


Not in fact.


You have kissed other women?


Yes, many, some of the finest women I know, I have kissed.

women who were lonely, women I didn’t know and didn’t

want to, but kissed because that was a way to say yes we are

still alive and loveable, though separate, women who recog-

nized a loneliness in me, women who were hurt, I confess to

kissing the top a 55 year old woman’s head in the snow in

Boston, who was hurt more deeply that I have ever been

hurt, and I wanted her as a very few people have wanted

me—I wanted her and me to own and control and run the

city we lived in, to staff the hospital I know would mistreat

her, to drive the transportation system that had betrayed

her, to patrol the streets controlling the men who would

murder or disfigure or disrupt us, not accidentally with

machines, but on purpose, because we are not allowed out

on the street alone—


Have you ever committed any indecent acts with women?


Yes, many. I am guilty of allowing suicidal women to die

before my eyes or in my ears or under my hands because I

thought I could do nothing, I am guilty of leaving a prosti-

tute who held a knife to my friend’s throat to keep us from

leaving, because we would not sleep with her, we thought

she was old and fat and ugly; I am guilty of not loving her

who needed me; I regret all the women I have not slept with

or comforted, who pulled themselves away from me for lack

of something I had not the courage to fight for, for us, our

life, our planet, our city, our meat and potatoes, our love.

These are indecent acts, lacking courage, lacking a certain

fire behind the eyes, which is the symbol, the raised fist, the

sharing of resources, the resistance that tells death he will

starve for lack of the fat of us, our extra. Yes I have com-

mitted acts of indecency with women and most of them were

acts of omission. I regret them bitterly.


Five

Bless this day oh cat our house


“I was allowed to go

3 places growing up,” she said—

“3 places, no more.

there was a straight line from my house

to school, a straight line from my house

to church, a straight line from my house

to the corner store.”

her parents thought something might happen to her.

but nothing ever did.



my lovers teeth are white geese flying above me

my lovers muscles are rope ladders under my hands

we are the river of life and the fat of the land

death, do you tell me I cannot touch this woman?

if we use each other up

on each other

that’s a little bit less for you

a little bit less for you, ho

death, ho ho death.



Bless this day oh cat our house

help me be not such a mouse

death tells the woman to stay home

and then breaks in the window.



I read this somewhere, I wasn’t there:

In feudal Europe, if a woman committed adultery

her husband would sometimes tie her

down, catch a mouse and trap it

under a cup on her bare belly, until

it gnawed itself out, now are you

afraid of mice?


Six

Dressed as I am, a young man once called

me names in Spanish


a woman who talks to death

is a dirty traitor


inside a hamburger joint and

dressed as I am, a young man once called me

names in Spanish

then he called me queer and slugged me.

first I thought the ceiling had fallen down

but there was the counterman making a ham

sandwich, and there was I spread out on his

counter.


For God’s sake, I said when

I could talk, this guy is beating me up

can’t you call the police or something,

can’t you stop him? he looked up from

working on his sandwich, which was my

sandwich, I had ordered it. He liked

the way I looked. “There’s a pay phone

right across the street” he said.



I couldn’t listen to the Spanish language

for weeks afterward, without feeling the

most murderous of rages, the simple

association of one thing to another,

so damned simple.



The next day I went to the police station

to become an outraged citizen

Six big policemen stood in the hall,

all white and dressed as they do

they were well pleased with my story, pleased

at what had gotten beat out of me, so

I left them laughing, went home fast

and locked my door.

For several nights I fantasized the scene

again, this time grabbing a chair

and smashing it over the bastard’s head,

killing him. I called him a spic, and

killed him. My face healed, his didn’t

no child in me.



now when I remember I think:

maybe he was Josie’s baby.

all the chickens come home to roost.

all of them.



Seven

Death and disfiguration


One Christmas eve my lovers and I

we left the bar, driving home slow

there was a woman lying in the snow

by the side of the road. She was wearing

a bathrobe and no shoes, where were

her shoes? she had turned the snow

pink, under her feet, she was an Asian

woman, didn’t speak much English, but

she said a taxi driver beat her up

and raped her, throwing her out of his

care.

what on earth was she doing there

on a street she helped to pay for

but doesn’t own?

doesn’t she know to stay home?


I am a pervert, therefore I’ve learned

to keep my hands to myself in public

but I was so drunk that night,

I actually did something loving

I took her in my arms, this woman,

Until she could breathe right, and

my friends who are perverts too

they touched her toowe all touched her.

“You’re going to be all right”

we lied. She started to cry

“I’m 55 years old” she said

and that said everything.


Six big policemen answered the call

no child in them.

they seemed afraid to touch her,

then grabbed her like a corpse and heaved her

on their metal stretcher into the van,

crashing and clumsy.

She was more frightened than before.

they were cold and bored.

‘don’t leave me’ she said.

‘she’ll be all right’ they said.

we left, as we have left all of our lovers

as all lovers leave all lovers

much too soon to get the real loving done.



Eight

a mock interrogation



Why did you get in the cab with him, dressed as you are?



I wanted to go somewhere.



Did you know what the cab driver might do

if you got into the cab with him?



I just wanted to go somewhere.



How many times did you

get into the cab with him?



I dont remember.



If you dont remember, how do you know it happened to you?


Nine

Hey you death


ho and ho poor death

our lovers teeth are white geese flying above us

our lovers muscles are rope ladders under our hands

even though no women yet go down to the sea in ships

except in their dreams.



only the arrogant invent a quick and meaningful end

for themselves, of their own choosing.

everyone else knows how very slow it happens

how the woman’s existence bleeds out her years,

how the child shoots up at ten and is arrested and old

how the man carries a murderous shell within him

and passes it on.



we are the fat of the land, and

we all have our list of casualties



to my lovers I bequeath

the rest of my life



I want nothing left of me for you, ho death

except some fertilizer

for the next batch of us

who do not hold hands with you

who do not embrace you

who try not to work for you

or sacrifice themselves or trust

or believe you, ho ignorant

death, how do you know

we happened to you?



wherever our meat hangs on our own bones

for our own use

your pot is so empty

death, ho death

you shall be poor

Respond as usual then answer the questions.

Discussion Questions
“When I was praised for my conduct I felt guilt that in some way I was doing something that was really against the wishes of the white folks, that if they had understood they would have desired me to act just the opposite, that I should have been sulky and mean, and that that really would have been what they wanted, even though they were fooled and thought they wanted me to act as I did.”
From Ralph Ellison’s Invisible Man

1. In the quote above, the narrator alludes to the concept that when one in power denigrates another, that person also denigrates his or her own humanity. Do you see such a concept in “A Woman is Talking to Death” or do you see what feminist critic Christina Hoff Sommers calls the ‘corrosive paradox’ of feminism: waging war on men while at the same time denigrating the women who respect those men? Another way to put this question is thus: do you identify with the speaker or not? Explain your answer and include references to the Invisible Man and/or Fences.


2. What is the relationship between gender, race and class in this poem? In order to answer this question you will need to know the definition of gender.


3. The poem was published in 1974. What makes it important for its time, in the way Invisible Man was important for its time?


4. How does Grahn reverse and “disempower” conventional expectations in the segment A Mock Interrogation?


5. Which might be considered worse in terms of the “American Dream”: being limited by class, by race or by gender? In order to answer this question, you’ll need to define the “American dream.”

6. Does it matter that Grahn is Lesbian? Should it matter? If it does, then why?

Tuesday, April 3, 2007

August Wilson -- Fences -- Comment Here


Answer the following questions then respond as usual.


1. Cite a place in place where you see the notion of the cyclical pattern of family, that is, the idea that the sins and virtues of one generation are played out again in the next. How powerful is this pattern, and is there any real hope to break free of it?


2. What is significant about the occupations or situations of the members of Troy's family in the final scene of the play?


3. To what extent is Troy wrong about how American society has changed during his lifetime? To what extent is he right?


4. Troy talks a great deal about the important of independence and self-reliance, but he is also a user and manipulator of others. Does this make him a liar? self-deceptive? something else?


5. Towards the end of the play, what is the significance of Cory singing the song “Old Blue” that Troy sang earlier in the play?- What happens to Gabe at the end of the play?

Monday, March 26, 2007

The Glass Menagerie -- Post Review Here

Here are some sites to help you get started.


How to Write a Movie Review
http://www.spiritofbaraka.com/how-to-write-a-movie-review.aspx


Lab Movie Review Site
http://www.ucls.uchicago.edu/students/projects/1996-97/MovieMetropolis/howto.html


How to Write a Movie Review
http://www.ehow.com/how_2002071_write-movie-review.html


Another suggestion: pick up a few popular magazines and read some reviews or look through library journals. The review should be no more than 700 words and should contain no mechanical or grammatical errors.

Monday, March 19, 2007

Ralph Ellison-Comment Under This Post


This richly symbolic, ironic, and often surreal novel describes a quest much like Ellison’s own to invent an identity independent of that imposed by society. Winner of the 1953 National Book Award, Invisible Man thrust Ellison not only into prominence but also into the vortex of the battles raging over the role of literature and art in politics, and specifically over Ellison's rejection of the "protest novel."